YouTube Channel Latest Video Training

My YouTube Channel Latest Photography Video Training.

I’ve been busy this week adding more content to the old YouTube channel.

Adding content is really time-consuming, with recording times taking around twice the length of the final video.

Then there’s the editing, which usually takes around the same time, or a bit longer.  Then encoding and compression and uploading takes around the same again.

So yes, a 25 minute video takes A LOT more than 25 minutes to make and make live for the world to view.

This weeks video training uploads are:

This video deals with the badly overlooked topic of raw file demosaicing.

Next up is:

This video is a refreshed version of getting contrast under control in Lightroom – particularly Lightroom Classic CC.

Then we have:

This video is something of a follow-up to the previous one, where I explain the essential differences between contrast and clarity.

And finally, one from yesterday – which is me, restraining myself from embarking on a full blown ‘rant’, all about the differences between DPI (dots per inch) and PPI (pixels per inch):

Important Note

Viewing these videos is essential for the betterment of your understanding – yes it is!  And all I ask for in terms of repayment from yourselves is that you:

  1. Click the main channel subscribe button HERE https://www.youtube.com/c/AndyAstbury
  2. Give the video a ‘like’ by clicking the thumbs up!

YouTube is a funny old thing, but a substantial subscriber base and like videos will bring me closer to laying my hands on latest gear for me to review for you!

If all my blog subscribers would subscribe to my YouTube channel then my subs would more than treble – so go on, what are you waiting for.

I do like creating YouTube free content, but I do have to put food on the table, so I have to do ‘money making stuff’ as well, so I can’t afford to become a full-time YouTuber yet!  But wow, would I like to be in that position.

So that’s that – appeal over.

Watch the videos, and if you have any particular topic you would like me to do a video on, then please just let me know.  Either email me, or you can post in the comments below – no comment goes live here unless I approve it, so if you have a request but don’t want anyone else to see it, then just say.

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Pixel Resolution – part 2

More on Pixel Resolution

In my previous post on pixel resolution  I mentioned that it had some serious ramifications for print.

The major one is PHYSICAL or LINEAR image dimension.

In that previous post I said:

  • Pixel dimension divided by pixel resolution = linear dimension

Now, as we saw in the previous post, linear dimension has zero effect on ‘digital display’ image size – here’s those two snake jpegs again:

Andy Astbury,wildlife in pixels,pixel,dpi,ppi,pixel resolution,photoshop,lightroom,adobe

European Adder – 900 x 599 pixels with a pixel resolution of 300PPI

Andy Astbury,wildlife in pixels,pixel,dpi,ppi,pixel resolution,photoshop,lightroom,adobe

European Adder – 900 x 599 pixels with a pixel resolution of 72PPI

Digital display size is driven by pixel dimensionNOT linear dimension or pixel resolution.

Print on the other hand is directly driven by image linear dimension – the physical length and width of our image in inches, centimeters or millimeters.

Now I teach this ‘stuff’ all the time at my Calumet workshops and I know it’s hard for some folk to get their heads around print size and printer output, but it really is simple and straightforward if you just think about it logically for minute.

Let’s get away from snakes and consider this image of a cute Red Squirrel:

Andy Astbury,wildlife in pixels,

Red Squirrel with Bushy Tail – what a cutey!
Shot with Nikon D4 – full frame render.

Yeah yeah – he’s a bit big in the frame for my taste but it’s a seller so boo-hoo – what do I know ! !

Shot on a Nikon D4 – the relevance of which is this:

  • The D4 has a sensor with a linear dimension of 36 x 24 millimeters, but more importantly a photosite dimension of 4928 x 3280. (this is the effective imaging area – total photosite area is 4992 x 3292 according to DXO Labs).

Importing this image into Lightroom, ACR, Bridge, CapOne Pro etc will take that photosite dimension as a pixel dimension.

They also attach the default standard pixel resolution of 300 PPI to the image.

So now the image has a set of physical or linear dimensions:

  • 4928/300  x  3280/300 inches  or  16.43″ x 10.93″

or

  • 417.24 x 277.71 mm for those of you with a metric inclination!

So how big CAN we print this image?

 

Pixel Resolution & Image Physical Dimension

Let’s get back to that sensor for a moment and ask ourselves a question:

  • “Does a sensor contain pixels, and can it have a PPI resolution attached to it?
  • Well, the strict answer would be No and No not really.

But because the photosite dimensions end up being ‘converted’ to pixel dimensions then let’s just for a moment pretend that it can.

The ‘effective’ PPI value for the D4 sensor could be easily derived from its long edge ‘pixel’ count of the FX frame divided by the linear length which is just shy of 36mm or 1.4″ – 3520 PPI or thereabouts.

So, if we take this all literally our camera captures and stores a file that has linear dimensions of  1.4″ x 0.9″, pixel dimensions of  4928 x 3280 and a pixel resolution of 3520 PPI.

Import this file into Lightroom for instance, and that pixel resolution is reduced to 300 PPI.  It’s this very act that renders the image on our monitor at a size we can work with.  Otherwise we’d be working on postage stamps!

And what has that pixel resolution done to the linear image dimensions?  Well it’s basically ‘magnified’ the image – but by how much?

 

Magnification & Image Size

Magnification factors are an important part of digital imaging and image reproduction, so you need to understand something – magnification factors are always calculated on the diagonal.

So we need to identify the diagonals of both our sensor, and our 300 PPI image before we can go any further.

Here is a table of typical sensor diagonals:

Andy Astbury

Table of Sensor Diagonals for Digital Cameras.

And here is a table of metric print media sizes:

Andy Astbury

Metric Paper Sizes including diagonals.

To get back to our 300 PPI image derived from our D4 sensor,  Pythagoras tells us that our 16.43″ x 10.93″ image has a diagonal of 19.73″ – or 501.14mm

So with a sensor diagonal of 43.2mm we arrive at a magnification factor of around 11.6x for our 300 PPI native image as displayed on our monitor.

This means that EVERYTHING on the sensor – photosites/pixels, dust bunnies, logs, lumps of coal, circles of confusion, Airy Discs – the lot – are magnified by that factor.

Just to add variety, a D800/800E produces native 300 PPI images at 24.53″ x 16.37″ – a magnification factor of 17.3x over the sensor size.

So you can now begin to see why pixel resolution is so important when we print.

 

How To Blow Up A Squirrel !

Let’s get back to ‘his cuteness’ and open him up in Photoshop:

Our Squirrel at his native 300 PPI open in Photoshop.

Our Squirrel at his native 300 PPI open in Photoshop.

See how I keep you on your toes – I’ve switched to millimeters now!

The image is 417 x 277 mm – in other words it’s basically A3.

What happens if we hit print using A3 paper?

Red Squirrel with Bushy Tail. D4 file at 300 PPI printed to A3 media.

Red Squirrel with Bushy Tail. D4 file at 300 PPI printed to A3 media.

Whoops – that’s not good at all because there is no margin.  We need workable margins for print handling and for mounting in cut mattes for framing.

Do not print borderless – it’s tacky, messy and it screws your printer up!

What happens if we move up a full A size and print A2:

Red Squirrel 300 PPI printed on A2

Red Squirrel D4 300 PPI printed on A2

Now that’s just over kill.

But let’s open him back up in Photoshop and take a look at that image size dialogue again:

Our Squirrel at his native 300 PPI open in Photoshop.

Our Squirrel at his native 300 PPI open in Photoshop.

If we remove the check mark from the resample section of the image size dialogue box (circled red) and make one simple change:

Our Squirrel at a reduced pixel resolution of 240 PPI open in Photoshop.

Our Squirrel at a reduced pixel resolution of 240 PPI open in Photoshop.

All we need to do is to change the pixel resolution figure from 300 PPI to 240 PPI and click OK.

We make NO apparent change to the image on the monitor display because we haven’t changed any physical dimension and we haven’t resampled the image.

All we have done is tell the print pipeline that every 240 pixels of this image must occupy 1 liner inch of paper – instead of 300 pixels per linear inch of paper.

Let’s have a look at the final outcome:

Red Squirrel D4 240 PPI printed on A2.

Red Squirrel D4 240 PPI printed on A2.

Perfick… as Pop Larkin would say!

Now we have workable margins to the print for both handling and mounting purposes.

But here’s the big thing – printed at 2880+ DPI printer output resolution you would see no difference in visual print quality.  Indeed, 240 PPI was the Adobe Lightroom, ACR default pixel resolution until fairly recently.

So there we go, how big can you print?? – Bigger than you might think!

And it’s all down to pixel resolution – learn to understand it and you’ll find a lot of  the “murky stuff” in photography suddenly becomes very simple!

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Patrons gain access to a variety of FREE rewards, discounts and bonuses.