Canon 5D Mk4 Review – Conclusions

Canon 5D Mk4 Review – Conclusions

2ppi 400x400 Canon 5D Mk4 Review   Conclusions

So, this has been a long time coming, but I like to be thorough you know.

The question everyone wanted answering was “is the Canon 5D Mk4 ‘better’ than the 5D Mk3 Andy”..?

The short answer is, ‘in my opinion’ a very affirmative YES.

But of course I’ve got to justify the ‘yes’ and that can be done by stating the important improvements – better image quality and autofocus.

Just the same as with its high performance cousin the 1DX Mk2, the Canon 5D Mk4 has had an impressive IQ boost brought about by one thing above all else – the SENSOR and its recorded Output.

The auto focus system has had the same overhaul found on the 1DX Mk2, and so there’s another big improvement.  Nope, the 5D Mk3 AF was NOT the same as that found on the original 1DX….

If you are a ‘tech slag’ then you’ll love the ‘touch screen’ menu, and the GPS too.

The touch screen drove me nuts when I first got hold of this camera – I hated it.  But I’ve gotten so used to it now that when I turned it off the other day I soon turned it back on – changing settings is tedious without it!

The SENSOR.

Nikon have had the lead over Canon for quite a while when it comes to RAW recording:

  • Lower noise levels – especially at low to mid-range ISOs (100 to 6400)
  • Better shadow recovery
  • Option to shoot fully uncompressed 14bit RAW

Ok, so Canon (stupidly in my opinion) still refuse to allow you to shoot true uncompressed RAW, but on the other two counts they have at long last just about caught up with the boys from Minato.

For Canon users the sensor and its recorded RAW output on both the Canon 5D Mk4 (and 1DX Mk2) is something quite revolutionary; while as a Nikon user I’ve been used to it for ages!

What is it I’m talking about?  The benefit of having the ADC ‘on sensor’ or ‘on die’ to give it the correct terminology.

Canon have previously had their ADC circuitry buried deep in their DIGIC chips which are separate from the sensor, and so require wired connection.  This leads to two distinct problems:

  1. Number of connections is physically limited.
  2. Signal Entropy!

I’ll do a separate blog post covering sensor makeup shortly.

But now with the above two camera body sensors they’ve gone the Nikon way, using ADCs integrated within the sensors themselves.

It’s a well known fact that Nikon have used Sony sensors, or made sensors of Sony design by ‘special arrangement’, for ages.

In output terms, the Canon 5D Mk4 and Canon 1DX Mk2 sensors do bare such a spookily strong likeness to the Sony Dual Pixel Exmoor design – the coincidence is staggering!

What this means is basically:

  • A lower noise floor.
  • Greater potential shadow and highlight recovery over its predecessor.

Canon 5D Mk4 Dynamic Range

There are all sorts of reviews/claims plastered across the web that claim the Canon 5D Mk4 has a greater dynamic range than the class leader Nikon D810.  These claims, all by ‘third party idiots’ mind you, not Canon, are based on test results published by DXO Mark.

Screen Shot 2017 01 03 at 10.49.29 600x311 Canon 5D Mk4 Review   Conclusions

If only the idiots could read a graph!

According to the graph, at base ISO the Nikon D810 kills it by well over a stop, and doesn’t fall behind until base + 2.5 stops – 300 ISO indicated.

For landscape and other high definition/resolution photography you are going to be using your camera at base ISO to maximize DR, so basically the 5D Mk4 doesn’t even come close in this respect.

Having said all that, the way DXO Mark conduct their testing is somewhat circumspect in a lot of folks opinions – mine included.  Nonetheless, these results are being regularly misinterpreted and misquoted  everywhere!

When it comes to actual ‘tripod on the ground’ dynamic range you will always and without fail find that the ‘real’ DR is lower than the ‘oft quoted’ version – why?  Because the ‘testers’ try too hard and use complex methodologies that involve maths, or ‘scaling’ techniques that look test images as 13″x19″ prints – crazy!

All I’m interested in is how much of a scenes brightness range can I record on the sensor with one single exposure; and will I need to bracket exposures.

So let’s have a look at the performance of the 5D Mk4 sensor and see how much we can milk it for:

1D9A6372 Edit 600x400 Canon 5D Mk4 Review   Conclusions

So here’s a scene outside ‘Chez Andy’ on a dull and rather overcast day – this gives the camera a better fighting chance than it would have on a bright blue sky day will full bore sunshine.

Evaluative metering gives a manual exposure reading of 1/30th sec for f8 at 100ISO (base ISO from what I can gather).

The two main regions of interest are obvious in any test of dynamic range – brightest highlights and darkest shadows, the areas indicated by the red circles, together with their spot metered values.

The indicated spot for the sky is a bit misleading – I actually pointed the camera straight up at the sky with the lens defocused and nothing but ‘sky’ in the frame!

Also, bare in mind that camera meters give you an exposure to record a tone as 50% grey!

So I shot a bracketed sequence from 1/250th to 4 secs, at 100ISO and f8.

Screen Shot 2017 01 03 at 13.43.27 600x375 Canon 5D Mk4 Review   Conclusions

The scene brightness range runs to a metered 11 stops, so if DXO Marks published test DR of 13.59Ev at 100 ISO (64 ISO as they would call it) is correct then one or more of these frames WILL contain detail in both the bright highlights and darkest shadows.

We might have to ‘recover’ that detail in post, but it should all be there within the recorded sensor output.

Guess what – it isn’t.  Very nearly, but not quite. Feel free to download the raw files yourself by clicking here (approx 2mins download).

To save a ton of typing and image uploading I’ll run a short video on how I do a quick assessment of the images to obtain a ‘real world’ ball-park DR value:

And purely as an exercise, what can we pull out of this single frame?

Screen Shot 2017 01 04 at 11.26.50 600x375 Canon 5D Mk4 Review   Conclusions

Looks somewhat HDR-ish because of the dramatic highlight and shadow recovery settings, but it just goes to show what you can pull back on this Canon 5D Mk4 sensor – you’d never pull this off on a single frame shot done with a 5D Mk3.

If I run the same type of rough analysis on the Nikon D810 and a descent bit of Zeiss glass I get a DR approximating 11.5 stops, and pretty much the same for the D800E.

More importantly, for the Canon 5D Mk3 the result is no more than 9.5 stops, but I’ve only tested it using the older 16-35mm f2.8 Mk2.

Just to clarify the DXO Mark ‘thing’ – while I either question or argue the numerical value of most of their sensor tests, the ‘trends’ identified within those results are pretty much spot on.

A good place to view more realistic DR values for a large number of sensors/cameras can be found here.

And as a final caveat regarding ANY sensor DR test – the test is based on the RECORDED SENSOR OUTPUT.  This is solely comprised of the ADC and image processors ‘digitised interpretation’ of the true ‘analogue output’ of the sensor. 

Is this a distortion of reality?  Maybe, but for the moment it’s what we’re stuck with!

So I think the Canon 5D Mk4 does pretty good on the dynamic range front, but the crazy high values the ‘third party idiots’ bandy about are just pie in the sky.

Frankly DR values of 13 to 14+ stops from a 14 bit ADC and a 36×24 sensor are something of a ‘step beyond’.  A 16 bit ADC on a medium format sensor on the other hand……but then that’s what you pay the big bucks for!

But just so we’re clear, the Canon 5D Mk4 DR is very noticeably greater than that of its predecessor.

Autofocus Performance

Now I’ve already posted about this HERE. So if you haven’t already read that then do so first.

I find the Canon 5D Mk4 noticeably faster in AF acquisition the the Mk3, and a lot more responsive when tracking subjects moving directly towards the camera.  It’s not a 1DX Mk2 under these circumstances, but I was surprised at just how close it came to its big brother in this respect.

However! Unlike the 1DX Mk2 which ‘sticks to a subject like glue no matter what’ in the tracking department, the Canon 5D Mk4 can sometimes chuck its toys out the pram when subjected to lens flare.

This means that back lit subjects CAN sometimes present a bit of a problem.

1D9A5645 600x400 Canon 5D Mk4 Review   Conclusions

Back lit compositions against a dark background and without flare cause zero problems.

But introduce a bit of flare and things can go pear-shaped very quickly:

1D9A5610 600x400 Canon 5D Mk4 Review   Conclusions

Please note: I said ‘can’ not ‘does’ – it doesn’t happen all the time.  But when it does, even keeping the AF tracking active and on target doesn’t help you when it does ‘stuff up’ – if it’s not focused in the desired plane at frame 1 it stays that way for the entire frame sequence.

This can most likely be cured with a firmware update, but as it stands at the time of writing then this shot, done with the 1DX Mk2 could be problematic:

11I5845 600x400 Canon 5D Mk4 Review   Conclusions

…when you consider it’s just one frame from a long action sequence with lens flare where every frame is sharp.

Screen Shot 2016 09 24 at 16.26.31 600x357 Canon 5D Mk4 Review   Conclusions

But then again, the 5D Mk4 isn’t trying to be a 1DX Mk2; it’s just trying to be better at everything than the 5D Mk3 is/was.

ISO Settings – Noise

Hopefully you will have already read my post Camera ISO Settings – The Truth About ISO

If you haven’t then may I suggest you do – pronto!

ISO, or ‘post exposure applied gain’ is all relative to the number of photons passing through the lens and being collected by the photosites on the sensor.

The net result is that a shot at base ISO can look like crap if you are trying to photograph the ubiquitous ‘black cat in the coal house at midnight’, and 10,000 ISO can look epic in the presence of huge photon counts:

1D9A4186 600x400 Canon 5D Mk4 Review   Conclusions

Great Tit. Canon 5DMkIV, Canon 500mm f4 L IS II, ISO 10,000

The Canon 5D Mk4 IS less noise at any ISO setting than its predecessor 5D Mk3, again simply because of the ‘on die’ or sensor-integrated ADC.

As I said earlier, the older Canons – and that includes the crackpot 5DS and SR – have off dye ADC components, and this limits the number of connections between the sensor and the ADC. This number was (I’m fairly certain!) limited to 8 with cameras fitted with a single Digic processor, and 16 in those with twin Digics.

In order for the system to turn a respectable image processing time this low number of communications channels or buses had to carry all the sensor data to ADCs that needed to chew it up and spit it out at a great rate of knots – in other words they are high frequency ADCs.

And here is the kicker; there is a rigid and inflexible bond between operating speed/frequency and noise.  This is the noise seen in your shadows – especially when you try to recover them by even a modest amount.

Moving the ADC ‘on die’ allows for more connections. This in turn allows for the use of ADCs with lower operating frequencies, which in turn results in a lower noise floor.

I’m not going to produce a raft of comparison shots between the Canon 5D Mk4 and its predecessor – hell, this post is long enough as it is, and there are plenty of them already on the net.

In Conclusion – Major Improvements over the 5D Mk3

The Canon 5D Mk4 IS a better camera than its predecessor in the two major attributes of a stills camera:

  1. Faster Auto Focus with greater flexibility and control.
  2. Improved Dynamic Range, Noise Floor and post-process latitude – all of which can be attributed to the switch by Canon to ‘on die’ ADC circuitry.

These above two improvements are major, and possibly more far-reaching than a lot of you may imagine.

Other Improvements:

  1. More megapixels if that floats your boat.
  2. Frame rate increased from 6fps to 7fps – though I don’t like a fixed fps personally.
  3. Touch screen menu system.
  4. Built-in GPS – which can drain the battery BTW if not set properly in the menu.
  5. Built-in Wi-Fi – which I have yet to get working!

Things I Don’t Like:

  1. Dual Pixel Raw – God in Heaven what a crock!  Dual pixel tech was created to give phase detection AF for video. But Still Camera Setting 2 on page 1 is like Canon thought “how can we turn this into a USP for the gullible stills-only camera buyer”.
  2. SD media slot – come on Canon – twin CF (not twin C-Fast) or switch to XQD.
  3. It eats batteries if you forget to turn off WiFi and GPS.
  4. Pathetic lack of proper viewfinder blind – seriously Canon!
  5. The persistent refusal of Canon to offer uncompressed RAW recording. It would take the smallest of firmware updates.  To me it just seems ridiculous not to give the user the choice as Nikon and others do.

So yes, in my opinion, the Canon 5D Mk4 is a better camera than the 5D Mk3.

If you own a 5D Mk3 have you GOT to trade it in?  That depends on what you want out of your camera and only you know that.

Would I trade in my D800E for one?  Hell NO!

But if you do fancy the upgrade from the Mk3 then, based on the review example I have here, you will see a considerable beneficial difference in your images – unless of course your name is Neil Burton!

Big thanks to Reece Piper and Calumet for supplying the Canon 5D Mk4 for review.

Don’t forget to subscribe to this blog, and my YouTube channel if you’ve viewed the video there, and as ever if you can spare a small donation via PayPal I’d be eternally grateful.

Cheers Folks!

 

 

Buy the Canon 5D Mk4 in the UK here Calumet Photographic

Canon 5D Mk 4 Auto Focus Performance

Canon 5D Mk 4 Auto Focus

2ppi 400x400 Canon 5D Mk 4 Auto Focus PerformanceLike Nikon, Canon never do me any favors!

But I do feel that I must say to the world that it ought to give this camera a bit of a break.  It’s had a good mauling in a lot of places, usually by idiots and no-nothings, who keep comparing it to its big brother the 1DX Mk2 – a camera not without its very own set of unique foibles!

The Canon 5D Mk 4 is NOT designed to be a “poor mans” 1DX Mk2.

It’s hardly what I’d call ‘cheap’ in the old purchase price department for starters, so ‘poor mans’ and ‘budget’ are not terms I can easily associate with it.

There are lot’s of things I need to delve into further on this camera to give you guys a fuller picture of the cameras overall performance – most of which is going to involve Calumet or Canon lending me more lenses.

But I can say that I’ve formulated a solid opinion on the Canon 5D Mk 4 Auto Focus performance, and it’s turned out to be a lot better than I’d first imagined.

These are the style of shot that really tells you if your auto focus is working and up to the job:

1D9A3561 600x400 Canon 5D Mk 4 Auto Focus Performance

“Joey” 1/3200th, f7.1, ISO5000

1D9A3410 600x400 Canon 5D Mk 4 Auto Focus Performance

“Joey” 1/3200th, f7.1, ISO5000

1D9A3454 600x383 Canon 5D Mk 4 Auto Focus Performance

“Joey” 1/3200th, f7.1, ISO4000

But before you can start producing the shots you have to go through the tedious bit of testing the AF first.  It was while testing the overall sharpness and accuracy of the AF system that I came across a little problem.

When photographing the old ‘brick wall’ static target I found the system was front focusing by around 40 centimeters at 30 meters.  If I added +4 on the AF micro adjustment (using the 500mm don’t forget) then everything was razor sharp.

This didn’t seem right in my eyes – I’ve never felt the need to use micro adjust on Canon gear to achieve sharp focus on a static target – perhaps I’ve just been lucky!

But after testing this body with another 500mm L IS II, and Calumets lens on 3 other bodies, all tests revealed the same necessary +4 adjustment.

MG 0202 Edit Canon 5D Mk 4 Auto Focus Performance

The difference is quite marked!

  • Bare in mind that all these ‘static tests’ MUST be done with the aperture WIDE OPEN (in this case f4).
  • I always use the high ISO capabilities of a camera to the maximum, which allows me the luxury of shooting at between f6 and f8 to maximise DoF and use a high enough shutter speed to stop the action.  Manual exposure with Auto-ISO is my usual method of shooting with long glass.  A noisy image that is razor-sharp will ALWAYS out-sell a low noise image full of motion blur!
  • At f8 hardly any of the ‘poor sharpness’ (above left) is visible in the image because DoF is doubled from 40cms to over 80cms behind the plane of focus at this distance.
  • If I was to swap out to a shorter lens then the required amount of micro adjustment would be less, and with a longer lens MORE!

However, when we come to photograph the likes of ‘Joey’ we have a BIG problem!

Adding positive micro-adjustment values is basically like adding BACK FOCUS – you are telling the system to focus BEHIND where it perceives sharp focus to be – in other words ‘focus further away’.

So with a head on closing target/subject the resulting AI Servo sequence of frames will all be back focused.  The camera will be focusing behind a subject that’s getting closer – it’ll never work!

What we need is the system to move the plane of focus AHEAD of the subject, so that when the shutter opens for the next frame, the subject and plane of focus are hopefully in the same place.  This is how PREDICTIVE AF works, and cameras like the 1DX Mks 1 & 2/Nikon D4/4S truly excel at it.

Dialing in an opposite value of -4, and using AF Case 4 settings with Zone AF for the AI Servo sequences of little Joey yielded good results, but the level of consistency was still below what I thought was possible.

And it certainly got even less consistent when I changed to Point Expansion or Point Surround AF modes.

But now I’ve settled on a custom setup that is NOT obtainable on any of the fixed AF cases; TS & ADT both at +2 together with -3 AF micro adjustment:

1D9A4149 Canon 5D Mk 4 Auto Focus Performance

‘Morgan’ 1/4000th f8 ISO4000 & -3 AF micro adjustment

I’ve just uploaded a new video to my YouTube channel where I discuss the performance of the Canon 5D Mk 4 Auto Focus system, and go through A LOT of full resolution images.

Note, some of you may get bored and think I examine too many images – shame on you! There are 4 sequences, and each one represents around 4 seconds in real time and are a ‘buffers worth’ of shots.  So all those boring shots took less than 20 seconds to acquire –  I have to show all the shots in a sequence to illustrate the level of consistency, and I show 4 sequences to prove none of them are a fluke – I DO THE JOB RIGHT – unlike some other reviewers!

You can view it at full size by clicking the YouTube icon bottom right once you press ‘play’, but be warned it’s 36 minutes long!

I’m not finished with this camera just yet I don’t think; I must admit that I do quite like it!

Is the Canon 5D Mk 4 Auto Focus capable of better performance than that of the venerable old 5D Mk3 ?  Yes, it is.

Is the image quality better than the 5D Mk3 – oh you betcha it is, by a country mile and just like the 1DX Mk2 advantage over the 1DX.

Are the G/T algorithms (ISO), sensor and ADC output better – from what I can see that’s a ‘yes’ too; but then I’ve not done any dynamic range testing yet – kinda hard when the only lens you’ve got is a 500mm!

I’m getting used to the ‘touchy-feely’ screen now, but the fixed 7fps HS frame rate pisses me off a bit, I’d like to be able to drop it to 6 or 5 to the AF system even further.

Take my advice and don’t be impressed with the ‘Duel Pixel Raw’ feature – it’s CRAP. It does absolutely bugger-all apart from slow the camera down and produce massive files that are not worth the time or effort.  And you can only ‘work’ them in that clunky DPP software which is a total abomination to try and use!

And old UHS1 SD card tech? The camera would be better with a CF slot in conjunction with a CFast2 slot ‘a la’ 1DX Mk2 – in my opinion of course.

1D9A4186 600x400 Canon 5D Mk 4 Auto Focus Performance

Great Tit. Canon 5DMkIV, Canon 500mm f4 L IS II, ISO 10,000 +4 AF Micro adjustment

logo simple Canon 5D Mk 4 Auto Focus Performance

Canon 5D Mk 4 from £115.96 per month – Click HERE

Canon 5D Mk 4 – First Thoughts

The Canon 5D Mk 4

Looking at the Canon 5D Mk 4 for Wildlife & Bird Flight Photography.

Part 1 – First Thoughts.

2ppi Canon 5D Mk 4   First Thoughts

The other day Calumet asked if I wanted to test the new Canon 5D Mk 4.  I’d just done an autofocus workshop in Birmingham and had been asked about this camera, so I thought it would be a good idea to take up the offer.

I’ve deliberately stayed well clear of any reviews of this camera while waiting for its delivery – don’t want to unbox it with any preconceived ideas do we??!!

I picked the camera up yesterday from Calumet Manchester, replete with the stunning 500mm f4 LIS Mk 2 lens – “Leanne, where’s the other two spare batteries you promised you’d ordered for me?”

The only Canon DSLRs I’ve used over the past couple of years are the 1DX marks 1 & 2, with the occasional ‘smattering’ of 5DMk3 when I’ve been out with clients – so this new offering from Canon has something of a ‘clean slate’ to start with in my eyes.

So it’s a bit of a shame it got off to a bad start when I pulled it out of its case last night and found that Canon STILL haven’t added a viewfinder blind – a major fault with the 5DMk3 in my opinion.

D4D7453 Edit Canon 5D Mk 4   First ThoughtsWhat the heck are they thinking?

D4D7456 Edit Canon 5D Mk 4   First ThoughtsThis camera is no 1DX Mk 2, and it’ll be bought by folk who want to shoot landscapes, seascapes, wide-field astro, a bit of studio work perhaps – it won’t be bought by folk like me who shoot big hairy-arsed beasties in zero light at ISO-stupid; yet the 1DX has one!

Come on Canon – think about the little things chaps.

Anyway, here’s the rig Calumet have supplied to me, just to see how far we can penetrate the domain of the 1DX Mk2/Nikon D5…

D4D7448 Canon 5D Mk 4   First ThoughtsAll those stupid straps can bugger off for starters – Jesus, they are a recipe for disaster.  But WAIT – if I take the camera strap off I’ve not got my stupid rubber flappy thingy viewfinder blind….

Now imagine I’m using this Canon 5D Mk 4 camera with a wide-angle lens shooting a low light seascape with a 10 stop ND and a 2 minute exposure.  That strap flapping in the wind and rattling on the tripod legs isn’t going to do much for image sharpness is it…it’s pathetic.

As a Nikon shooter the lack of a proper blind irks the heck out of me, but we’ll put it aside as I’m sure older 5D users are well used to the problem by now.

So moving on…

My two main interests in the Canon 5D Mk 4 are autofocus performance first, and ISO/low light performance a close second – being good at both is a prerequisite for wildlife photography, and in my mind this 5D Mk 4 is pitching its tent on the lawn belonging to the Nikon D810, so there’s a benchmark for it!

Setting the Canon 5D Mk 4 to my normal ‘Canon settings’ I nearly came a cropper before I started!

Not being used to the, shall we say ‘cheaper’ Canon DSLRs I pressed the DRIVE AF Mode button and flicked the front dial one click, assuming that this would shift the camera from the ONE SHOT mode the previous user had left it, to AI SERVO:

D4D7475 Canon 5D Mk 4   First Thoughts

D4D7512 Canon 5D Mk 4   First Thoughts

But NO…..WTF is this:

D4D7484 Canon 5D Mk 4   First ThoughtsAI FOCUS…..what’s that all about then?  So I did something that pained me greatly – picked up the manual – and wished I hadn’t.

So we hit the internet, and the the first hit in a Google search was:

Screen Shot 2016 10 20 at 15.01.19 Canon 5D Mk 4   First ThoughtsThat sounded so interestingly unreasonable that I tried it – and soon stopped!

Nahh… it’s not for me – unless I’m missing something major!

So just make sure you are in AI SERVO if you or your subject, or both, are moving.

It’s cloudy outside and about 1.5 hours before sunset, but let’s step outside and do my basic ‘car number plate’ AF test in CASE 1, just to see ‘the lay of the land’ with this Canon 5D Mk 4:

Screen Shot 2016 10 20 at 17.19.55 600x313 Canon 5D Mk 4   First Thoughts

If you want to download the full resolution jpegs – 700Mb zip file – please click hereThe file is at my Dropbox, so if this post goes a bit viral then it may take a while to download.

So there are 30 images, no processing done to them at all, and they are all either 5000 or 6500 ISO.

Shot hand held, 1/2000th, f6.3, manual exposure with auto ISO and back-button-only focus. Maximum frame rate was not quite 7fps (well it didn’t sound like it anyway), and I tried to shoot bursts of around 5 or 6 frames.  It was only on the last of these that I was concious of shooting in buffer overflow.

Single Point AF was being used, in Case 1 – which isn’t best suited to this particular job.  But it’s my standard test with any Canon, just to see how far off the ball the camera/lens combo is.

Shutter release priority was set to FOCUS for the first frame, and +1 focus priority for the second and subsequent frames.

And I have to say I’m pretty impressed.  It’s done a heck of a sight better than I was expecting in Case 1.

Yes the shots have some noise and it certainly can’t hold a candle to its big brother 1DX Mk2 in that department, but then again its not been designed that way. Neither do I regard the noise as much of a problem either because it’s evenly distributed and not overly present in shadows.

But from an autofocus point of view the biggest percentage of those shots are on the money so to speak, and where it has gone wrong it’s only by a whisker; always slightly behind the target – that’s to be expected with an accelerating subject and Case 1 Accel/decel tracking of ‘0’, using a long telephoto.

A considerable improvement over the 5D Mk 3 in both noise and AF performance in my opinion, neither do I think the Mk 3 would have managed 30 frames in the same amount of time.

Over the next couple of weeks I’ll be posting more of my thoughts and findings about the Canon 5D Mk 4.  Tomorrow I’ll do some ISO testing and a bit more on the autofocus if the weather and time permit, so expect another post shortly!

And yes, it’s official, Andy HATES the bloody touch-screen!  Boy am I going to get myself in trouble with that – perhaps I’m too old to cope with such fangled gadgetry!

But that is balanced out by the pleasant surprise that the camera allows exposure compensation in manual mode – up to now a luxury presented to nearly all Nikon users, but only 1DX and 1DX Mk2 Canon owners (to my knowledge anyway) – nice one Canon, it’s about time!

logo simple Canon 5D Mk 4   First Thoughts

Canon 5D Mk 4 from £115.96 per month – Click HERE